
|
A satisfying drawing does not necessarily have to describe every detail. If a drawing is too descriptive it can lack that essential artistic and creative element which makes the work intrinsically ‘yours’.
|
|
16 figure drawing tutorials (try the first 2 here) to help you see and draw the human form. Welcome to: figure-drawing-with-mag.com Underlying structural elements, and a variety of principles which facilitate control in drawing and seeing should make a huge difference to your ability to understand how to draw people. . Left are areas covered in this study.
Please try the first two tutorials and if you wish to have access to the rest I would be delighted. If so, contact me at the e mail address below, have a chat, and arrange subscription and I will send the rest of the pages directly to you on disc. You will not be alone as I‘m happy to provide some feedback via e mail or snail mail as you progress through . The cost is $75 if you would like extensive feed back or $50 if you just want the tutorials .($Australian.) For both types of subscription, I will be very happy to say hello and have a chat about your drawing. All the very best, Maggie Lyons.
Qualifications: TSTC, (art and Craft) Bachelor of Education. Graduate Diploma Graphic Communication Education. Graduate Diploma Humanities (Indonesian)
Teaching experience: Quite a few years at secondary level teaching VCE Art. Three years at tertiary level teaching painting and drawing to trainee art teachers at Melbourne College of Advanced Education (now Melbourne University). Teaching art societies and in home studio. Indonesian teaching. I now live in N.E. Victoria, Australia, (for almost to 20 years) close to Mt. Beauty and the ski resort of Falls Creek. I hope to get to know you and your art work. It’s a small world with this brilliant facility. |
|
Pencil drawing human figure
|
|
Human figure drawing
|
|
The rest of this web site tutorials are as follows and will be sent to you on disc if you choose to continue
Overlapping contours
Convex / concave
Visual flow
Weight expressed by line
Contrast moving
Positive / negative
Foreshortening
Tone and form
Change of direction
Chiaroscuro
Non supportive tone
Heads
Feet and hands
Use of color and tone
Tuition
Safety
Image Resource Pages |



