A satisfying drawing does not necessarily have to describe every detail. If a drawing is too descriptive it can lack that essential artistic and creative element which makes the work intrinsically ‘yours’.

 

16 figure drawing tutorials (try the first 2 here) to help you see and draw the human form. Welcome to:

   figure-drawing-with-mag.com 

Underlying structural elements, and a variety of principles  which facilitate control in drawing and seeing should make a huge difference to your ability to understand how to draw people.

.

Left are areas covered in this study.

 

Please try the first two tutorials  and if you  wish to have access to the rest I would be delighted.

If so, contact me at the e mail address below, have a chat, and  arrange subscription and I will send the rest of the pages directly to you on disc. You will not be alone as I‘m happy to provide  some feedback via e mail or snail mail as you progress through . The cost is $75 if you would like extensive feed back or $50 if you just want the tutorials .($Australian.)  For both types of subscription, I will be very happy to say hello and have a chat about your drawing.

All the very best, Maggie Lyons.

 

Qualifications:

TSTC, (art and Craft)

Bachelor of Education.

Graduate Diploma Graphic Communication Education.

Graduate Diploma Humanities (Indonesian)

 

Teaching experience: Quite a few years at secondary level teaching VCE Art. Three years at tertiary level teaching painting and drawing to trainee art teachers at Melbourne College of Advanced Education (now Melbourne University). Teaching art societies and in home studio. Indonesian teaching.

I now live in N.E. Victoria, Australia, (for almost to 20 years)  close to Mt. Beauty and the ski resort of Falls Creek. I hope to get to know you and your art work. It’s a small world with this brilliant facility.

 Pencil drawing human figure

 

 Human figure drawing

 

 

The rest of this web site tutorials are as follows and will be sent to you on disc if you choose to continue

 

Overlapping contours

 

Convex / concave

 

Visual flow

 

Weight expressed by line

 

Contrast moving

 

Positive / negative

 

Foreshortening

 

Tone and form

 

Change of direction

 

Chiaroscuro

 

Non supportive tone

 

Heads

 

Feet and hands

 

Use of color and tone

 

Tuition

 

Safety

 

Image Resource Pages